Ponniyin Selvan Part 1 Movie Review: Mani Ratnam’s epic adaptation is family friendly GOT

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The long wait is finally over! Director Mani Ratnam’s ambitious film, Ponniyin Selvan: Part 1, hit the screens today, September 30, amid much fanfare.

The film, a historical fiction, is adapted from Kalki Krishnamurthy’s epic Tamil literary novel that encapsulates the power struggle that rattled the Chola Dynasty. Has the film lived up to the expectations? Will it satisfy the book lovers?

A comet appears in the sky and it is the bringer of bad news. Sundara Chozhar (Prakash Raj) is ailing and has announced his eldest son, Aditha Karikalan (Chiyaan Vikram) as the crown prince. However, the people of the Chola kingdom and Sundara Chozhar’s second child, Kundavai (Trisha) thinks that her younger brother, Arunmozhi Varman (Jayam Ravi) will make a great king.

Aditha Karikalan sends his friend and trusted aide Vallavarayan Vanthiyathevan (Karthi) to Kadambur based on the tip-off he received. He wants Vanthiyathevan to find out the plan that’s brewing and report it to Sundara Chozhar and Kundavai. A power struggle ensues as Sundara Chozhar’s brother’s son, Madhuranthagar (Rahman), also eyes the throne.

Meanwhile, there’s Nandini (Aishwarya Rai Bachchan), wife of Periya Pazhuvettaraiyar (Sarathkumar), who is married into the Chola kingdom to avenge the death of her husband, Veera Pandiyan (opposite faction). Who will succeed in their mission forms the first part of Ponniyin Selvan.

The five-part book of Ponniyin Selvan, written by Kalki Krishnamurthy is verbose and with utmost detailing. The first part of Mani Ratnam’s Ponniyin Selvan documents the important moments that take place in the first three parts of the book. Technically, Ponniyin Selvan is top-notch. Be it Ravi Varman’s brilliant cinematography or AR Rahman’s excellent score, the film sucks us into the world that Mani Ratnam has created with so much detailing.

But when it comes to the story, Ponniyin Selvan might be an underwhelming affair for those who have read the books. Since, Mani Ratnam has crammed three parts together in one film (with a run time of 2 hours and 45 minutes), most of the characters except Karthi’s Vanthiyathevan do not get much screen time.

The story jumps from Thanjavur to Pazhayarai to Sri Lanka and so do the characters. But, for those who haven’t read the books, the film warrants utmost attention as there are multiple characters at play and multiple timelines crossing over.

Mani Ratnam’s adaptation of the epic is high on VFX and does not follow the usual template of a period film. He takes his own sweet time to build the world of Ponniyin Selvan and throws in crucial details through his characters matter-of-factly.

There are several high moments sprinkled throughout the film. Be it Vanthiyathevan’s meet-up with Nandini or the epic Nandini-Kundavai face-off, Aditya Karikalan’s monologue or Arunmozhi Varman-Vanthiyathevan’s climax fight – you get grandeur-laden visuals, backed by strong storytelling. The dialogues, especially Vanthiyathevan and spy Azhwarkadiyan Nambi (Jayaram) work well as they manage to bring relief with their clever wit.

Apart from Karthi and Jayaram, it is Aishwarya Rai Bachchan’s show all the way. Through Nandini, she proves why she is best suited for the role as she charms us right from the first frame. Similarly, Trisha’s Kundavai has a strong presence throughout the film. However, in a few moments, her performance doesn’t add up to the hype.

Chiyaan Vikram as Aditya Karikalan is a volatile prince, who lets his emotions take over and the actor has done a perfect job in capturing the vulnerabilities. Jayam Ravi, who plays Arunmozhi Varman, in the film, gets introduced in the second half and manages to hold our attention.

Aishwarya Lekshmi’s Poonguzhali character is a bit of a let-down as not much importance is given to her. So is Sobhita Dhulipala’s Vanathi. Prabhu, Prakash Raj, Vikram Prabhu, Kishore, Lal, Arjun Chidambaram and Ashwin Kakumanu deliver their best in the little screen time they received.

After the performances, AR Rahman’s brilliant background score stands out and elevates every single moment. The way Ravi Varman lit up the screen inside the palaces and in the forests of Sri Lanka proves why he is the best.
Ponniyin Selvan: Part 1 ends on a high as it reveals the identity of an important character. That sets the tone for the second part, which will release in 2023.

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